MEDIA PRAXIS
Integrating Theory, Practice & Politics
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Archives: 02. Theory

Selections from writing by filmmaker/theorists on political media.


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Alea, TG. The Viewer’s Dialectic. re popular

Alea, TG. The Viewers Dialectic, re popular

Alea, Tomas Guitierrez, “The Viewer’s Dialectic,” re theory

Baudriallard, Jean. Ecstasy of Communication.

Beguja, “Living Ethics,” re Satire

Beguja, “Living Ethics,” re serving the public

Beguja, “Living Ethics,” re teleology

Beguja, “Living Ethics,” re the news matters most

Beguja, M. “Living Ethics,” Ch. 1 re action, awareness, guilt

Beguja. “Living Ethics,” re objectivity

Benajmin, W. “Author as P,” re epic theater

Benjamin, W. “Author as Producer” re position in time

Benjamin, W. “The Author as Producer” re the intellectual, 1934

Benjamin, Walter. “Author as Producer” (re teaching writers)

Benjamin. “Author as Prod,” re means of production

Benjamin. “Author as…” Re revolutionary intellectual.

Brakhage, Stan. Re the artist scattering seeds.

Carlomusto, J and Bordowitz, G .”Do it!”

Comolli, J-L and Narboni, J. “Cinema/Ideology/Criticism”

Cox, Geoff & Joasia Krysa, “The Author as (Digital) Producer”

Crimp, Douglas, “AIDS Demo Graphics”

Deren, M. “Cinematography,” re reality itself

Deren, Maya. “Cinematography,” re cinema’s unique place

Deren, Maya. “Cinematography,” Re film and total experience.

Eisenstein, Sergei on the “slogan” (1929)


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    • TEN MEDIA PRAXIS HISTORIES:

    • TEN MEDIA PRAXIS HISTORIES

      01. Newly Soviet Russia (1920s)    02. The Popular Front: United States/France/Spain (1930s-40s)    03. The New American Cinema: United States (1940s-60s)    04. Third Cinema in Latin America (1960s-70s)    05. 1968 - France and its Aftermath    06. Ethnographic Film in the Decolonizing Third World (1970s-80s)    07. Feminist Film: The UK and Americas (1970s-80s)    08. Transatlantic Black Popular Culture: UK and US (1980s-90s)    09. AIDS Activist Video: The UK and Americas (1980s-1990s)    10. Cyberspace: The internet (1990s-present)