MEDIA PRAXIS
Integrating Theory, Practice & Politics
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02. Theory
Selections from writing by filmmaker/theorists on political media.
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Alea, TG. The Viewer’s Dialectic. re popular
Alea, TG. The Viewers Dialectic, re popular
Alea, Tomas Guitierrez, “The Viewer’s Dialectic,” re theory
Baudriallard, Jean. Ecstasy of Communication.
Beguja, “Living Ethics,” re Satire
Beguja, “Living Ethics,” re serving the public
Beguja, “Living Ethics,” re teleology
Beguja, “Living Ethics,” re the news matters most
Beguja, M. “Living Ethics,” Ch. 1 re action, awareness, guilt
Beguja. “Living Ethics,” re objectivity
Benajmin, W. “Author as P,” re epic theater
Benjamin, W. “Author as Producer” re position in time
Benjamin, W. “The Author as Producer” re the intellectual, 1934
Benjamin, Walter. “Author as Producer” (re teaching writers)
Benjamin. “Author as Prod,” re means of production
Benjamin. “Author as…” Re revolutionary intellectual.
Brakhage, Stan. Re the artist scattering seeds.
Carlomusto, J and Bordowitz, G .”Do it!”
Comolli, J-L and Narboni, J. “Cinema/Ideology/Criticism”
Cox, Geoff & Joasia Krysa, “The Author as (Digital) Producer”
Crimp, Douglas, “AIDS Demo Graphics”
Deren, M. “Cinematography,” re reality itself
Deren, Maya. “Cinematography,” re cinema’s unique place
Deren, Maya. “Cinematography,” Re film and total experience.
Eisenstein, Sergei on the “slogan” (1929)
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TEN MEDIA PRAXIS HISTORIES:
TEN MEDIA PRAXIS HISTORIES
01. Newly Soviet Russia (1920s)
02. The Popular Front: United States/France/Spain (1930s-40s)
03. The New American Cinema: United States (1940s-60s)
04. Third Cinema in Latin America (1960s-70s)
05. 1968 - France and its Aftermath
06. Ethnographic Film in the Decolonizing Third World (1970s-80s)
07. Feminist Film: The UK and Americas (1970s-80s)
08. Transatlantic Black Popular Culture: UK and US (1980s-90s)
09. AIDS Activist Video: The UK and Americas (1980s-1990s)
10. Cyberspace: The internet (1990s-present)