Solanas and Getino, Towards a Third Cinema, re the film action

With the correct utilization of the time that that group of actor-personages offered us with their diverse hsitories, the use of the space offered by certain comrades, and of the films themseles, it was necesarry to try to transform time, energy, and work into freedom-giving energy. In this way the idea began to grow of structuring what we decided to call the film act, the film action, one of the forms which we beleive assumes great importance in affirming the line of a third cinema. p. 55

One Comment

  1. Posted September 22, 2009 at 6:05 am | Permalink

    Sounds interesting. Thanks for info .I like You Now! (sounds weird.. should say I follow you Now!.. ) :)

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  1. By 4. Third Cinema in Latin America (1960s-70s) on October 22, 2008 at 10:08 pm

    [...] and theorists attempted to understand the interrelated roles of audience, artist, media education, film screening, popular culture, and American cultural domination. Bringing the utopian and Marxist zeal of the [...]

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