Alea, TG. The Viewers Dialectic, re popular

Finding ourselves in the midst of a Revolution, and at this particular stage of building socialism, we should be able to establish the premises of a cinema which would be genuinely and integrally revolutionary, active, mobilizing, stimulating, and–consequently–popular. p 110

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  1. By 04. Third Cinema in Latin America (1960s-70s) | MEDIA PRAXIS on October 29, 2008 at 9:21 pm

    [...] within the continuing political economy of neo-colonialism. They are as committed to realism as to mass art forms. “The cinema of revolution is at the same time one of destruction and construction,” [...]

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